It’s occasionally difficult to sort out who did what – and in which episode and in which theatrical property.Ī few forgotten characters from the past return, while several others are simply forgettable (Nathalie Emmanuel’s Harriet garners no more than a few seconds of screentime). Into the lion’s den they go, rubbing elbows with fellow rebels, an extremist faction, opposition soldiers, cruel scientists, and elite citizens, all while failing to exhibit traits that set them apart from the other teen-oriented dystopian adventure franchises (such as “The Hunger Games” and “Divergent”). Once it’s reiterated that the Flare virus has turned most of the world’s population into twitchy zombies, and that a single dear friend is still in the clutches of the abominable organization that will stop at nothing to find a cure (what are a few tortured children if it saves everyone?), the film transforms into a considerably protracted rescue operation – wherein the handful of heroes (who are given names, and therefore must be important) traverse dark tunnels, immediately lose their vehicle, run out of ammo, and require some last-minute saving for themselves. Clearly, audiences will need to brush up on the previous film to fully grasp the goings-on in this conclusion. “He’s not here,” repeats a rescuer, even though it’s not apparent who exactly they’re searching for. From there, time must also be spent on a proper introduction, since this is the third part to the series. But did the filmmakers exhaust all of their resources on a splashy beginning? Despite the budget seemingly getting spread all the way to the climax, the excitement never quite matches this first scene. Nevertheless, this opening sequence is sharply choreographed, suspenseful, and fun. And numerous following moments of action are patterned in the same way: just as the heroes are about to be overtaken or dispatched by the enemy, support appears, as if materialized from thin air – down to the second or the inch in which they’re needed. ![]() ![]() At the exact spot where a train car grinds to a halt after being separated from the engine, reinforcements emerge, crouched behind boulders. “Don’t die.” As amusing as all the action is, it also culminates in some problems that are readily adopted over and over again throughout the picture. It’s a surprisingly well designed start, mixing together a high-speed pursuit, death-defying stunts (most likely augmented by CG), and explosive gunfire. It begins with a cold open in a postapocalyptic desert wasteland, where a rendezvous or a hijacking or a rescue is about to commence. As Teresa (Kaya Scodelario) and the other W.C.K.D scientists continue their callous experiments on Minho and the children immune to the Flare virus, Thomas and his friends must sneak into the organization’s headquarters and find a way to recover the prisoners before the city erupts in chaos. Soon joined by Jorge (Giancarlo Esposito) and Brenda (Rosa Salazar), the group arrives at their destination to uncover a powder keg of confrontation between the heavily fortified society inside the city and the abandoned rebels just beyond the gates. When the crew fails to retrieve their target, Thomas, Newt (Thomas Brodie-Sangster), and Frypan (Dexter Darden) head out alone to the “Last City,” a walled-off fortress buried deep within a metropolis of ruins, where they hope to locate Minho. soldiers, Thomas (Dylan O’Brien) and his former Glade members team up with their newfound resistance allies to execute an elaborate rescue mission. ![]() Release Date: January 26th, 2018 MPAA Rating: PG-13ĭirector: Wes Ball Actors: Dylan O’Brien, Thomas Brodie-Sangster, Rosa Salazar, Kaya Scodelario, Aidan Gillen, Giancarlo Esposito, Walton Goggins, Will Poulter, Patricia Clarkson, Barry Pepper, Ki Hong Lee, Katherine McNamara Aįter Minho (Ki Hong Lee) is captured by the ruthless Janson (Aidan Gillen) and his W.C.K.D. Genre: Sci-Fi Adventure Running Time: 2 hrs.
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